Muslims who explore sources of morality other than Islam are threatened with death, and Muslim women who escape the virgins' cage are branded whores. So asserts Ayaan Hirsi Ali's profound meditation on Islam and the role of women, the rights of the individual, the roots of fanaticism, and Western policies toward Islamic countries and immigrant communities. Hard-hitting, outspoken, and controversial, The Caged Virgin is a call to arms for the emancipation of women from a brutal religious and cultural oppression and from an outdated cult of virginity. It is a defiant call for clear thinking and for an Islamic Enlightenment. But it is also the courageous story of how Hirsi Ali herself fought back against everyone who tried to force her to submit to a traditional Muslim woman's life and how she became a voice of reform.

Born in Somalia and raised Muslim, but outraged by her religion's hostility toward women, Hirsi Ali escaped an arranged marriage to a distant relative and fled to the Netherlands. There, she learned Dutch, worked as an interpreter in abortion clinics and shelters for battered women, earned a college degree, and started a career in politics as a Dutch parliamentarian. In November 2004, the violent murder on an Amsterdam street of Dutch filmmaker Theo van Gogh, with whom Hirsi Ali had written a film about women and Islam called Submission, changed her life. Threatened by the same group that slew van Gogh, Hirsi Ali now has round-the-clock protection, but has not allowed these circumstances to compromise her fierce criticism of the treatment of Muslim women, of Islamic governments' attempts to silence any questioning of their traditions, and of Western governments' blind tolerance of practices such as genital mutilation and forced marriages of female minors occurring in their countries.

Hirsi Ali relates her experiences as a Muslim woman so that oppressed Muslim women can take heart and seek their own liberation. Drawing on her love of reason and the Enlightenment philosophers on whose principles democracy was founded, she presents her firsthand knowledge of the Islamic worldview and advises Westerners how best to address the great divide that currently exists between the West and Islamic nations and between Muslim immigrants and their adopted countries.

An international bestseller — with updated information for American readers and two new essays added for this edition — The Caged Virgin is a compelling, courageous, eye-opening work.

First published in 1954, this novel tells the story of Jim Dixon - lower middle-class anti-hero - charting his social gaffes, cultural philistinism, inept relationships and crawling to superiors. The author's other books include "The Old Devils", which won the 1986 Booker Prize.

The story of John Self and his insatiable appetite for money, alcohol, drugs, porn and more. Ceaselessly inventive and thrillingly savage, it is a tale of life lived without restraint; of money and the disasters it can precipitate.

Martin Amis is perhaps the most gifted and innovative novelist of his generation. His prose refashions the English language into a lean and brilliant instrument, dazzling readers with its energy and wit. In this much anticipated memoir, Amis writes with striking candour about his life and looks intimately at the process of writing itself.As the son of a famous writer, the great comic novelist Kingsley Amis, Martin Amis' explores his relationship with his father and writes about the various crises of Kingsley's life, including the final crisis of his death. Amis also examines the case of his cousin, Lucy Partington, who disappeared without trace in 1973 and was exhumed in 1994 from the back garden of Frederick West, Britain's most prolific serial killer. Inevitably, too, the memoir records the changing literary scene in Britain and the United States, with many anecdotes and pen portraits.

Is there anything that Martin Amis can’t write about? In this virtuosic, career-spanning collection he takes on James Joyce and Elvis Presley, Nabokov and English football, Jane Austen and Penthouse Forum, William Burroughs and Hillary Clinton. But above all, Amis is concerned with literature, and with the deadly cliches–not only of the pen, but of the mind and the heart.

In The War Against Cliché, Amis serves up fresh assessments of the classics and plucks neglected masterpieces off their dusty shelves. He tilts with Cervantes, Dickens and Milton, celebrates Bellow, Updike and Elmore Leonard, and deflates some of the most bloated reputations of the past three decades. On every page Amis writes with jaw-dropping felicity, wit, and a subversive brilliance that sheds new light on everything he touches.

When 'dream husband' Xan Meo is vengefully assaulted in the garden of a London pub, he suffers head-injury, and personality-change. Like a spiritual convert, the familial paragon becomes an anti-husband, an anti-father. He submits to an alien moral system - one among many to be found in these pages. We are introduced to the inverted worlds of the 'yellow' journalist, Clint Smoker; the high priest of hardmen, Joseph Andrews; the porno tycoon, Cora Susan; and Kent Price, the corpse in the hold of the stricken airliner, apparently determined, even in death, to bring down the plane that carries his spouse. Meanwhile, we explore the entanglements of Henry England: his incapacitated wife, Pamela; his Chinese mistress, He Zhezun; his fifteen-year-old daughter, Victoria, the victim of a filmed 'intrusion' which rivets the world - because she is the future Queen of England, and her father, Henry IX, is its King. The connections between these characters provide the pattern and drive of "Yellow Dog". Novelists have noticed that contemporary reality keeps outdoing their imaginations. Yet there is still the obligation to attempt a reading of the present and the very near future. If, in the twenty-first century, the moral reality is changing, then the novel is changing too, whether it likes it or not. "Yellow Dog" is an early example of how the novel, or more particularly the comic novel, can respond to this transformation. But Martin Amis is also concerned here with what is changeless and perhaps unchangeable - patriarchy, and the entire edifice of masculinity; the enormous category-error of violence, arising between man and man; the tortuous alliances between men and women; and the vanished dream (probably always an illusion, but now a clear delusion) that we can protect our future and our progeny.

Martin Amis first wrote about September 11 a week later in a piece for "The Guardian" beginning, 'It was the advent of the second plane, sharking in low over the Statue of Liberty: that was the defining moment.' And he has kept returning to September 11, in essays and reviews, and in two remarkable short stories, 'In the Place of the End' and 'The Last Days of Muhammad Atta'. All are collected here, together with an expanded account of his travels with Tony Blair in 2007 - to Belfast, to Washington, and to Baghdad and Basra. 'We are arriving at an axiom in long-term thinking about international terrorism,' he writes: 'the real danger lies, not in what it inflicts, but in what it provokes. Thus by far the gravest consequence of September 11, to date, is Iraq ...Meanwhile, September 11 continues, it goes on, with all its mystery, its instability, and its terrible dynamism.'

Hannah Arendt's definitive work on totalitarianism and an essential component of any study of twentieth-century political history

 

The Origins of Totalitarianism begins with the rise of anti-Semitism in central and western Europe in the 1800s and continues with an examination of European colonial imperialism from 1884 to the outbreak of World War I. Arendt explores the institutions and operations of totalitarian movements, focusing on the two genuine forms of totalitarian government in our time—Nazi Germany and Stalinist Russia—which she adroitly recognizes were two sides of the same coin, rather than opposing philosophies of Right and Left. From this vantage point, she discusses the evolution of classes into masses, the role of propaganda in dealing with the nontotalitarian world, the use of terror, and the nature of isolation and loneliness as preconditions for total domination.

In October 1998, General Augusto Pinochet, former dictator of Chile, was arrested in London. He had been charged with crimes against humanity by a Spanish magistrate, but over the 16 months that Pinochet was detained, equally intriguing questions went unanswered about his links with Britain. Why was Margaret Thatcher so keen to defend the General? Why was Tony Blair's usually cautious government prepared to have him arrested? And why was Britain the General's favourite foreign country? Andy Beckett offers a compound of history, investigation and travelogue that unravels this strange story.

A chronicle of success and failure, this work is Bellow's tale of the writer's life in America. When Humboldt dies a failure in a seedy New York hotel, Charlie Citrine coping with the tribulations of his own success, begins to realize the significance of his own life.

As soon as it first appeared in 1953, this gem by the great Saul Bellow was hailed as an American classic. Bold, expansive, and keenly humorous, The Adventures of Augie March blends street language with literary elegance to tell the story of a poor Chicago boy growing up during the Great Depression. A "born recruit," Augie makes himself available for hire by plungers, schemers, risk takers, and operators, compiling a record of choices that is-to say the least- eccentric.

A never-before-published collection of letters-an intimate self- portrait as well as the portrait of a century.

Saul Bellow was a dedicated correspondent until a couple of years before his death, and his letters, spanning eight decades, show us a twentieth-century life in all its richness and complexity. Friends, lovers, wives, colleagues, and fans all cross these pages. Some of the finest letters are to Bellow's fellow writers-William Faulkner, John Cheever, Philip Roth, Martin Amis, Ralph Ellison, Cynthia Ozick, and Wright Morris. Intimate, ironical, richly observant, and funny, these letters reveal the influcences at work in the man, and illuminate his enduring legacy-the novels that earned him a Nobel Prize and the admiration of the world over. Saul Bellow: Letters is a major literary event and an important edition to Bellow's incomparable body of work.

The great child psychologist gives us a moving revelation of the enormous and irreplaceable value of fairy tales - how they educate, support and liberate the emotions of children.